An interview with Steve Holak author of a new fantasy trilogy – The Winds of Heaven and Earth

Steve Holak’s The Winds of Heaven and Earth launches a new fantasy trilogy, blending epic and contemporary genres, and WWBB wants to get down and personal.

Hi Steve, let’s start easy. How many unpublished
books/stories do you have lurking under your bed?
I have a “trunk book” that will see the light of day after I
finish the Keystone, Lodestone, Clarion series (I say series instead of trilogy
because I have this horrible feeling that, as I write book two, ideas are
emerging and the third book story is mutating and I’ll have to commit a Robert
Jordan and expand the scope. We’ll see.)

How long has it been
It’s been banging around under there for 15 years.  It needs a complete re-write. The core story
idea’s good, but I was too immature as a writer to pull it off: it suffers from
the lack of a direct and strong antagonist, and the protagonist doesn’t have
the “transformative journey arc” through the tale, things like that. That’s the
book I want to be my Magnum Opus; I’m a stronger writer now, and understand the
plumbing of fiction much better—and I’ll be even better by the time I’m ready
to write it.  Probably 2015.

Anything else?
I have an outline for
a space opera, and I’m researching the Roswell saucer-crash myth on the side: I
want to give that a kick-ass literary treatment and bring all the Roswell mythology
together the way Justine Cronin did for vampires in The Passage. I have enough
to keep me busy for the next half-dozen years, at least.

You sound really
busy. How do your juggle a writing schedule?
Like a chainsaw juggler. I have a (bill-paying) job that
requires 24/7 availability. I’m away from home 13 hours each day—I leave at
5:30 am to drive to the train station, and get home at 6:30 pm. Fortunately, I
get about 90 minutes of train time every day, and that’s where I do a good
chunk of my work. We have an arrangement at home: I get Monday, Tuesday, and
Thursday evenings to write after dinner—so I usually manage an hour or two
before I get tired–and a half-day on the weekends. During the summer, I teach
scuba a few times a month, which eats up most of that weekend. Let me get up on
a soapbox for a minute: Despite my schedule, I still manage 500 to 2,000 words
a day, so I have no sympathy for aspiring writers who say they don’t have the
time—make the time if writing’s important to you.

Well said! So, what’s
the best and worst part of being a writer?
It’s the coolest experience watching characters take over
the keyboard from you and type their own behaviour and dialog. I spend time
detailing and developing my characters on the side so that they each have a
unique and recognizable voice. (I think that shows very clearly in WHE.) A side
effect of this is that they’re on automatic when I start writing and it’s fun
to watch. The worst part? Do I even have to say it? The marketing. The
continual, shameless marketing. I’d love to just write and have a machine do
that work for me. (Yeah, you know who you are.)

Print Edition

Do you start your
projects writing with paper and pen or is it all on the computer?

I’m a digital guy. I do a “Snowflake“ process—write down the one-sentence blurb, expand that to three sentences describing the three-act structure with gating scenes, expand those to paragraphs, write a detailed outline of each, then break down to scene level in Scrivener. Describe each scene: POV, goal, conflict, purpose, outcome. Then write scene by scene. Once that draft is done I shuffle the scenes to their final order then finish up the final drafts in Word.

Do you set yourself
goals when you sit down to write such as word count?
Absolutely. Usually 1000-2000 words a day, and about 10,000
words per week. I don’t always hit it, but the important thing is to set the
bar and keep reaching for it until the story’s finished.

Do you have a
critique/editor partner?
I have a wonderful editor, Rebecca Dickson. She does copy
and content, and she’s sharp and brutally honest—she pushes me hard. I spent a
long time looking for the right fit in a long-term editorial relationship; I
wanted to preserve the tone and voice of my work over the course of a career. She
was recommended to me by a client of hers—a fiction author who happens to be a
professional editor!–that’s how much respect her peers have for her. She
misses nothing from copy edit perspective, but also asks questions like “How
can the sun reflect off their badges? I thought the sun was behind them. Just
how far can a bowman shoot one of those arrows? Better research that.” She even
called me out on the specs of a handgun.  She hunts down every cliché, semicolon and
long sentence, but yet preserves my own unique voice. I self-edited The Winds
of Heaven and Earth about eight times before I passed it off to her—I thought,
“Ha! You won’t have much work to do on this one,” yet it took us about 10 weeks
of back-and forth to polish it off. I call her “Bexter” because she kills prose
that doesn’t deserve to live. The Winds of Heaven and Earth is a stronger work
because of her, and I’m a better writer because of her. I wish she’d let a few
semicolons slip by, though.

Careful, people may
poach her! What is The Winds of Heaven and Earth about?
The heart of the story is a man searching for his missing
pregnant wife, and struggling with the events he finds himself and family
caught up in—and what he’s required to do to resolve them. It’s a mashup of
contemporary and epic fantasy, with a leg in our familiar modern world, similar
to what Stephen R. Donaldson did with Thomas Covenant the Unbeliever and Roger
Zalazny’s Chronicles of Amber.  

there are elements of the magical and some nasty otherworldly creatures and events
to deal with, but they augment and color the story; they don’t dominate it. And
the magic has a plausible root in science and physics, as does the magical
realm he eventually finds himself in. 
The book has a heavy nautical theme—by design, but more than I expected
when I began; probably 70% of it takes place on islands or on the sea. The
trilogy has a planned transition in settings and themes, from sea and island in
the first to mountain and forest in the second to a great deal of desert in the

When I finished the first or second draft of the novel, I took a step
back I saw how watery it actually was and began mining novels that had similar
“man on quest with a nautical themes” for suitable epigraph materiel, and I
came across the perfect fit: Moby Dick. The epigraph that opens the book is
from that work, and the title is derived from it. And it’s thematically
perfect: a soul being driven about without mercy by the whims of “the wildest
winds of heaven and earth.” There are also some tensions and conflict between
love and duty driving the story—and that is a conflict that does not close out
until the last instalment.

Let’s talk about the
main protagonist, Jordan Parish. Who is he exactly?
Jordan Parish is the core protagonist of the trilogy. (“Jordan”
is homage, BTW, to the late Robert Jordan, who set the bar for the epic fantasy
genre with his Wheel of Time series. RIP, Robert.) Jordan derives from a
wealthy aristocratic North Carolina family, but he’s a bit of rebel. He doesn’t
want to grow up to be his father, who he sees as meandering through life on the
coattails of his inherited wealth. He disdains his family’s money and influence
(though he’s quick to use it when he needs to), is a bit of a potty mouth and
is about as impatient and quick to anger as one can get. He wants to make his
own mark on the world, not be viewed as a rich kid that had everything handed
to him. Jordan’s just as pissed off about finding out he was born with some
special abilities as is he about being perceived as a Richie Rich. But he is spoiled:
He’s used to getting his way, and is stubborn as a mule. When things go against
him he lashes out at whatever’s around him and runs roughshod over everything
and everyone, feelings be damned. But he’s persistent, and this stubborn
doggedness and iron will are the traits that pulls him through the story. And,
like all good protagonists, he has a character flaw to overcome in order to
achieve his goal—his anger and impatience stands in the way of everything he’s
trying to recover: his missing wife and child. 

How do other
characters perceive him?
Jordan is quick to speak his mind—bluntly speak his
mind–and will pee in the pool with no regard, shame or apology. There are
several scenes early in the book where he’s trying to get information about his
missing wife and he just runs roughshod over people who are actually trying to
help him; he’s only interested in a narrow range of response that fits his
needs. He’s not interested in your Auntie Nellie’s health and he’ll tell you
that. His friends are mortified, and sort of give him WTF looks and try to
clean up behind him. Jordan meets several people along the way who try to
mentor him or give advice; it’s only as things really come crashing down before
he gives them serious consideration and begins to modify his behaviour. The
characters in the story fall into three categories when it comes to their
outlook on Jordan: they either pity him, despise him, or want to use him.
Unfortunately, Jordan tends to treat all three types the same. 

He doesn’t sound very nice. Does he have any redeeming

Perhaps I was a little harsh in
pointing out his flaws. He might have a bit of tunnel vision and tramples the flowerbed
at times—but after all, wouldn’t you be pretty sharply focused if you were
following a metaphoric thread through a maze to find your family? You have to
acknowledge that he has a fire under his arse. His wife vanishes two days after
they announce their pregnancy—that’s at her six week mark.  

(The next few sentences might be considered
very vague plot spoilers, so readers may or may or may not want to avert their

By the time he picks up her trail
he realizes that it’s close to her due date—and if she’s alive she’s giving
birth in a pretty treacherous environment—while some dangerously powerful
people are jockeying for dibs on his kid. And there’s a *lot* of shocks as he
digs into the past of the wife and family he thought he knew.  Melanie wasn’t some woman he met as an adult,
fell in love with and married; Jordan and Melanie grew up together on adjacent
properties. He knew her from the time her family adopted her at eight years of
age. Thought he knew her.  So to uncover
rocks and shine lights in cracks and find things wiggling there as he
frantically searches for her . . . yeah, he’s a little edgy. Mix that with his
temper . . .
(End of potential mild spoiler

Love and loyalty drives him; and those are
admirable qualities. Blunt dogged loyalty that seems to invoke the same in
others.  He collects a supporting cast of
some pretty heavy hitters in the course of his travels, people who wake up one
day to scratch their heads and smile and find that they have been drawn along
in his wake by his persistent dogged loyalty and the way he keeps picking
himself up and dusting himself off each time he’s knocked down. He inspires the
same loyalty in others that he displays for his family.  I should have categorized the three types of
outlooks on Jordan as: his friends who are mortified by his behaviour at times
but understand it, the enemies who oppose him, and those who want to use him.

What would be his
biggest wish or desire?
At the beginning of the story, to find his pregnant wife
Melanie. But before she went missing, it was simply to carve out a spot
of his own in life with his smarts and the sweat of his brow, settle down with
Melanie and raise kids. By the end of the story . . . well, some of those
wishes and desires change, and I can’t give away spoilers. But the bar moves
around a bit.

What would he change
about himself if he could wave a magic wand?
Jordan clearly realizes that his temper and impatience
handicaps him. It’s established early on in the story that a martial arts
teacher helped him construct a place in his head he calls “The White Room”—a
place of calm and serenity he pulls himself into when he needs to drop his
baggage and focus. But he has to really want to go there. Jordan actually does
sort of have a magic wand: at first he doesn’t know how to use it, then he
doesn’t want to know how to use it—but by the second book of the series he’s
generating concern that he’s treating the shiny new hammer a bit cavalierly and
without regard to its consequences.


The Winds of Heaven and Earth 

(Keystone, Lodestone, Clarion)

Print Edition
Jordan Parish’s wife Melanie disappears a few days after the couple announces
their pregnancy, everyone assumes the motive is ransom. But six months pass
with no demand, and when the FBI discovers the only clue to her disappearance,
a missing family heirloom worn by Melanie on the day she vanished–with
Jordan’s blood on it–the investigation turns to the temperamental and volatile
Desperate to find his wife and clear his name,
Jordan mounts an investigation of his own.  What he discovers about the
adopted Melanie’s hidden past plunges him into the world of mystery and magic
surrounding their families.  And when Jordan and Melanie’s brother Chase
pursue strange assailants into a mysterious storm, Jordan is cast into a realm
where he finds his child at the center of a struggle for power surrounding the
culmination of a centuries-old Prophecy.

The Winds of Heaven and Earth launches a new fantasy trilogy, blending epic and
contemporary genres in the tradition of Stephen R. Donaldson’s Thomas Covenant the Unbeliever and Roger Zalazny’s Chronicles of Amber. 

FREE Book sample! (download from Steve Holak’s website) 
Stephen M Holak

Stephen M Holak lives, works and writes in the rural western suburbs of Philadelphia

He enjoys reading and writing science fiction and fantasy, managing teams of software engineers for a major telecommunications company, and teaches scuba diving in his infinite spare time.

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Kindle Direct Publishing and Indie Publishing and what they mean for New Authors. Plus a giveaway!

Kristi Loucks is offering A Life Interrupted to one lucky reader who comments. I will draw a name and Kristi will offer that person a digital book in ANY format. 
Kristi Loucks

Whether a writer is new to the world of publishing or a seasoned veteran, the opportunities offered by independent publishing and Amazon’s KDP Select is opening doors that have never been accessible before. 

Just a few short years ago, unpublished authors were likely to have their work collect dust in the middle of a pile of manuscripts, unread.  Today, writers have the opportunity to get their work into the right hands, those of their readers without waiting.  We are able to share our work on all of the same platforms as traditionally published authors and thus, allowing indie authors to compete with the best of the best.

This is great, right?  Of course it is, but for every step forward there is inevitably a step to the side, too.  These new publishing avenues are great in that they make being a published author possible for many a talented writer who may never have found a voice through a traditional publisher, but they are also negative in the respect that they leave some key ingredients out of the formula.  Most notably editing, cover design and formatting.

These things are pretty basic, but they are not always something that writers can, or should do themselves.  Often neglected because of cost, purposely swept aside with the thought that they can be addressed later.  While it is easy to see how some may rationalize that once they have a few sales they can invest in these services, it can often be too late.  In most cases, a writer will only get that one opportunity to make that crucial first impression after all.
Kristi Loucks is part of the VBT

As an indie author myself, I know that we fight an uphill battle against what is at times perceived as lower quality work.  That perception is changing, but it is on all of us to make sure that continues.  There are an outrageous number of phenomenal authors who have gone the indie route; authors who we may never have read were it not for independent publishing and KDP Select.  

In addition to making the process attainable to many more aspiring writers, there is also a whole new opportunity to market yourself and your books with Kindle’s free sales, but that too has caused a stir for many publishers and writers wondering if it has the potential to hurt the sales of other books. 

While I don’t have any data to prove one way or another, I personally don’t think it truly hurts anyone.  KDP’s free sales are powerful marketing tools for new authors who may have been buried in the mass of kindle offerings, but I doubt that a reader would pass over a book by their favorite author for a freebie.  At the end of the day, free or not, I believe the reader will buy a book that interests them based on the storyline and not the price (provided that the book in question is priced appropriately).

As with most things in life, there will always be more than one way to achieve our goals.  The choice that is right varies from one individual to the next, and how each person takes advantage of these opportunities is often what matters most.

The truth is that it has never been easy to make money as an author, while the independent publishing movement has made it easier to get published, it will not guarantee you an audience.  You are still going to have to work long and hard to establish yourself among the sea of talented writers from both the indie and traditional publishing worlds, but as my grandfather once told me, “No goal that is worth achieving is ever free, or easy.”

 Kristi Loucks is offering A Life Interrupted to one lucky reader who comments. I will draw a name and Kristi will offer that person a digital book in ANY format. 

A Life Interrupted
BelaForte spent his life protecting the people he loves and the place he calls
home working for a government appointed task force called The Greater
Wilmington First Response Team or GWRT. A group comprised of his friend and
half brother, Dylan Spencer. His father’s old partner with the Wilmington PD,
Alex Kelley and his cousin Jules Devereaux. Rounding out the team was Shay
McElroy, a profiler who also happened to be the love of 
his life.

seemed perfect in his life, he had love, friends and family surrounding him and
his team was on the verge of putting an end to the reign of a known trafficker
who dealt in drugs and women. But in one moment, the man Jared had spent years
trying to put away interrupted that life.

Dolenov is that man. He deals in drugs and dolls, a family business you might
say. He had been able to stay under the radar in the sleepy port of North
Carolina that he called home these days. But when the Governor put together a
task force to disrupt his business, he took on a new target. Jared BelaForte.

two years of torture and pain, Jared believed he would die in Dolenov’s “care”.
But just when all hope is lost, an opportunity to escape presents itself. Two
years to the day, Dylan got the phone call. Jared was in the local ER, and he
was alive. Jared also learns that there was one other person that was left
behind when he went missing, his little girl Sera, now just 17 months old. She was
the glue that held Shay together when all seemed lost to her.

he pick up the pieces before the man responsible returns to finish the job he

About the author – Kristi Loucks

Author Kristi Loucks

Kristi Loucks is a Pastry Chef and Cake Designer with a degree from Le Cordon Bleu Chicago.  Her writing and storytelling has always been a way to manage the day to day stresses of working in the world of restaurants and food service.  

Kristi started writing in High School and has continued to share her work with friends over the years.  While she never planned to pursue writing professionally, a supportive friend armed with a copy of her debut novel, A Life Interrupted happened to share it with the right person. 

Since her debut was released in September of 2012, she has also released a novella, Delivery of Fate and is currently working on a new full length novel called The Rose Red Reaper, the first in a new series based in her home town of Chicago, IL.

Ms. Loucks currently resides in a suburb of Chicago and runs a bakery in a North Shore Suburb.
Now for something to whet your appetite!
A short excerpt – A Life Interrupted
months. It had been exactly two years since Shay had last seen Jared BelaForte,
the man that she loved. Some days, it felt like an eternity. And in others, she
would wake up and smell his scent surrounding her like he had been at her side
moments before. The only thing she could count on from day to day was that she
missed him.

had been so many things she had wanted to tell him. Things she no longer
believed she would ever get to say. He wasn’t coming back.

had spent the last twenty-four months reassuring herself that there was hope.
But, today she woke up with the sinking notion that he would never again look
at her with his cerulean eyes. She would never hear him laugh or admire his
beautiful smile and he would never get to meet his daughter, Sera.

she woke up this morning, she cried. She cried the tears she had been keeping
to herself for the last two years. She cried tears for all the things he had
already missed. And she cried tears for all the things she knew her daughter
would never have.

would never know her daddy. His half brother, Dylan had stepped into the role
of Daddy to Sera. Though he adored her as if she had been his own, they both
knew that her little girls’ daddy could not be replaced.

spite of the hardship, Dylans’ little girl Ellie had become like a big sister.
She spent afternoons on the beach with Sera, Shay and Dylan as they splashed in
the surf and Sera loved watching Ellie bury her daddy in the sand. Her little
girl was the glue that held her mom together. She was the only reason Shay had
not crumbled and they all knew it.

felt his presence everywhere she went. Some days, she even thought she saw him
on a busy street corner, down the beach or even outside her window when she
looked down at his truck that she drove to work.

heart ached every time she felt it idle, but at the same time she found it
impossible to let go of any of the possessions that she knew he loved,
especially his truck. Even if he wasn’t coming back.